As Meat Loves Salt - Tapa dura

"Compelling.. the writing is flawless. Ms McCann captures the flavour of 17th century English, but never at the expense of comprehension; these pages flow like claret..Absorbing and historically meticulous, Ms McCann's AS MEAT LOVES SALT is a fat, juicy masterpiece" The Economist

‘This is an outstanding debut novel, a fresh and unusual achievement. Yes, this might be how such people thought and saw the world. As the title implies, it has all the dirt, stink, rasp and flavour of the time, as much as Simon Schama at his best. This is a brave attempt to break into a world few of us could imagine. It deserves to be a great success.’ Andrew Marr, Daily Telegraph

'Maria McCann conjures up 1640s England during the Civil War in earthy prose, making this novel a triumphant piece of historical evocation... McCann's unflinching descriptions of battle are matched by the power of her depiction of London in all its fetid splendour. And in the character of Jacob himself, a strong but selfish man weakened by a violent temper and haunted by guilty dreams, McCann shows the imaginative empathy that is the hallmark of a true novelist.' Katie Owen, Vogue

'A marvellous storyteller... A certain splendour in the writing makes this novel a tour de force of sensational scenes, an anatomy of violence and an elegy for lost kinship... Forbidden sensuality is searingly described by chiaroscuro candlelight. Rich in secrets and surprises, this novel has its own fierce poetry.'
Independent

'It's a true delight to encounter such a novel, vivid, well-written and, best of all, accessible. We are likely to hear a lot more of Maria McCann.'
Daily Express

A sensational debut from a wonderful new English writer.

Transplant Othello to the tumult of a country in social and political flux and en route to regicide – England in the 1640s – and render him uncertain about his sexuality, and you have the makings of Jacob Cullen, one of the most commanding characters in contemporary writing.

As the book opens, Jacob is an educated, vigorous and dauntingly strong manservant in a Royalist household, who has begun to imbibe god-fearing revolutionary pamphlets. He is on the brink of marriage to his virginal sweetheart, but is unsure of his emotional needs, and in possession of a boiling point he reaches all too often. He is also, we learn, fearful of being identified as the murderer of a local boy, and a potential nemesis arrives on the very day of his wedding feast, prompting the first of a series of impetuous, temper-fuelled bad decisions: Jacob flees, dragging his new wife and one of his brothers with him. Thereafter he proceeds to wreak havoc on the lives of others but mostly on his own fortunes – as a servant, a husband, a brother, a soldier, and, critically, as friend, co-conspirator and lover of another man disaffected by the lurch from freedom to tyranny now apparent in Cromwell’s New Model Army. To step outside the law, outside the state, outside the established and natural order of things seems to supply the only prospect of happiness...

All this makes for a truly exceptional novel: gripping, unusual, packed with heady ingredients – truly, we are in a world turned upside down by political fervour, inflammatory pamphleteering, social flux, grisly combat, apocalyptically evangelical Christianity, sexual confusion, and murder most foul... The earthy, tangy quality of McCann’s Republican-style prose, infused with a fresh twentieth-century sensibility, makes the whole entirely accessible and irresistible.

Is this then. perhaps, the first great novel of the English Revolution?