The New Republic: A Novel (P.s.) - Tapa blanda

"A very funny book, but the laughs are embedded in a deeply disturbing subject."--NPR, "Weekend Edition"

"Part "Scoop", part "Our Man in Havana" and part Len Deighton thriller, Shriver's novel is not just about terrorism but also about journalism and the nature of charisma. . . . Shriver's Barba is a wonderful creation."--"Financial Times"

"Part "Scoop," part "Our Man in Havana" and part Len Deighton thriller, Shriver's novel is not just about terrorism but also about journalism and the nature of charisma. . . . Shriver's Barba is a wonderful creation."--"Financial Times"

[Shriver s] whip-smart observations about relationships, the role of the media, the cult of personality are funny and on the mark. --"People""

In her latest novel, Lionel Shriver pays homage to Joseph Conrad examining terrorism, media bloodlust, and the cult of personality through an unexpected lens of satire. --"Marie Claire," Four New Page-Turners to Keep Bedside"

A very funny book, but the laughs are embedded in a deeply disturbing subject. --NPR, "Weekend Edition"

Shriver is cursed with knowing the human animal all too well. "The New Republic" is satire of a Shriver kind, that is to say biting. --"Miami Herald""

Shriver is one of the sharpest talents around. --"USA Today""

Shriver has been a National Book Award finalist with good reason: Her page-turners examine serious issues. --"Reader's Digest" Recommends"

A wondrously fanciful plot, vividly drawn characters, clever and cynical dialogue, and a comically brilliant and verisimilar imagined land. . . . "The New Republic" is simply terrific. --"Booklist" (starred review)"

Acclaimed author Lionel Shriver—author of the National Book Award finalist So Much for That, The Post-Birthday World, and the vivid psychological novel We Need to Talk About Kevin, now a major motion picture—probes the mystery of charisma in a razor-sharp new novel that teases out the intimate relationship between terrorism and cults of personality, explores what makes certain people so magnetic, and reveals the deep frustrations of feeling overshadowed by a life-of-the-party who may not even be present.

“Shriver is a master of the misanthrope. . . . [A] viciously smart writer.” —Time