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There is much to enjoy in Music, Culture, and Society, many of the readings making one want to go away and read more ... This is very much a collection to dip into, rather than to read from cover to cover, and will thus prove useful for postgraduates, or for musicologists wishing to get some idea about debates outside their own immediate concerns. (Music and Letters)
Timely ... presents a diversity of viewpoints around the central subject which often bounce off each other in intriguing ways ... Such a collection can perhaps be imagined as a kind of musicological party: some old friends (or perhaps enemies) are here, but there are plenty of new faces to get to know. (Music and Letters)
This book shows just how thoroughly and irrevocably [the] purist view of classical music has been shattered. (Ivan Hewett, BBC Music Magazine)
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Timely ... presents a diversity of viewpoints around the central subject which often bounce off each other in intriguing ways ... Such a collection can perhaps be imagined as a kind of musicological party: some old friends (or perhaps enemies) are here, but there are plenty of new faces to get to know. (Music and Letters)
This book shows just how thoroughly and irrevocably [the] purist view of classical music has been shattered. (Ivan Hewett, BBC Music Magazine)
The past ten years have witnessed an enormous growth of interest in questions of musical meaning and the extent to which it is informed by cultural experience and socially-derived knowledge. This collection of readings will stimulate further debate. It includes critically-acclaimed work which broke new ground in exploring the cultural significance of music and its social meanings, and which had a marked impact on musicology throughout the Western world. Three dozen extracts, a number of them no longer in print elsewhere, are grouped thematically to address such issues as music and language, the body, class, production, and consumption. The extracts have been chosen for the focus they give to particular areas rather than to form any unified framework for studying music and culture. Among the contributors are Jacques Attali, John Blacking, Michel Foucault, Lydia Goehr, Lawrence Kramer, Portia Maultsby, Rose Rosengard Subotnik, and Eero Tarasti.
This reader will appeal to students and scholars of sociological and theoretical fields of culture, as well as to anyone interested in why perspectives on music history and music meaning have undergone sweeping changes at the end of the twentieth century.
This reader will appeal to students and scholars of sociological and theoretical fields of culture, as well as to anyone interested in why perspectives on music history and music meaning have undergone sweeping changes at the end of the twentieth century.
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- EditorialOUP Oxford
- Año de publicación2000
- ISBN 10 0198790112
- ISBN 13 9780198790112
- EncuadernaciónTapa dura
- Número de páginas248
- EditorScott Derek B.
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Music, Culture, and Society : A Reader
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Music, Culture, and Society: A Reader
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Music, Culture, and Society: A Reader
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Music, Culture, and Society : A Reader
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ISBN 10: 0198790112
ISBN 13: 9780198790112
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Music, Culture, and Society: A Reader
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Music, Culture, and Society: A Reader
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Music, Culture, and Society: A Reader
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Music, Culture, and Society: A Reader (Hardcover)
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ISBN 10: 0198790112
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Descripción Hardcover. Condición: new. Hardcover. 'There is much to enjoy in Music, Culture, and Society, many of the readings making one want to go away and read more. This is very much a collection to dip into, rather than to read from cover to cover, and will thus prove useful for postgraduates, or for musicologists wishing to get some idea about debates outside their own immediate concerns.' -Music and Letters 'Timely. presents a diversity of viewpoints around the central subject which often bounce off each other in intriguing ways. Such a collection can perhaps be imagined as a kind of musicological party: some old friends (or perhaps enemies) are here, but there are plenty of new faces to get to know.' -Music and Letters 'This book shows just how thoroughly and irrevocably [the] purist view of classical music has been shattered.' - Ivan Hewett, BBC Music MagazineThe past ten years have witnessed an enormous growth of interest in questions of music history and music meaning, together with their respective relationships to culture and society. From Jacques Attali and Michel Foucault to Lydia Goehr and Portia Maultsby, this reader includes over 35 extracts from works which broke new ground in exploring the cultural and social significance of music at the end of the twentieth century. This reader collects some of the most important essays on the relationship between culture and music. The topic has received enormous attention over the last few decades, transforming musicology throughout much of the Western world. These essays examine the connections between music and such diverse areas as language, the body, class, production, and consumption. Among the contributors are Jacques Attali, John Blacking, Michel Foucault, Lydia Goehr, Lawrence Kramer, Portia Maultsby, Rose Rosengard-Subotnik, Theodor Adorno, and Ero Tarasti. The collection provides an ideal introduction for students of music, sociology and cultural studies and for anyone interested in contemporary musicology. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780198790112
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MUSIC, CULTURE, AND SOCIETY
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Oxford University Press
(2000)
ISBN 10: 0198790112
ISBN 13: 9780198790112
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