The Optimist's Daughter - Tapa dura

“It is easy to praise Eudora Welty,” as Robert Penn Warren has written, “but it is not so easy to analyze the elements in her work that make it so easy—and such a deep plea-sure—to praise. To say that may, indeed, be the highest praise, for it implies that the work, at its best, is so fully created, so deeply realized, and formed with such apparent in-nocence that it offers only itself, in shining unity.”

The Optimist’s Daughter is Miss Welty’s work at its best, and reconfirms Mr. Warren’s general tribute, including the difficulty of analysis: Laurel Hand, long absent from the South, comes from Chicago to New Orleans, where her father dies after surgery. With Fay, the stupid new young wife of her father, Laurel returns to her former Mississippi home and stays a few days after the funeral for reunions with old friends. In a night alone in the house she grew up in, she confronts elements of the past and comes to a better understanding of it and of herself and her parents.

The simplicity of the story belies its universal implications. This is a story of “the great interrelated family of those who never know the meaning of what happened to them.” With unsurpassed artistry Miss Welty shows us Laurel’s struggle to come to terms with her father’s death and with the life of the small Mississippi town he was so intimately involved with. In trying to deal with people who, like Fay, never even care to un-derstand what has happened to them, Laurel realizes that she too has kept her distance from a shared past. Like so many today, Laurel has lived in a city where she survives by avoiding any real involvement with those around her. It is only the shock of her father’s death that leads her to new insights into the relationship between love and death and memory.

Certainly this book will be a rewarding experience to readers of Miss Welty’s earlier work. Newcomers will discover its many dimensions and great substance: the large cast of characters and the complexity of their relationships, the rich humor and subtlety of dialogue that reveals without describing, the wideness of scope compressed within the boundaries of a short novel, the wisdom and discernment that underlie the author’s vision of human life.

Eudora Welty was born in Jackson, Mis-sissippi, in 1909. She was educated locally and at Mississippi State College for Women, the University of Wisconsin, and the Columbia University Graduate School of Business. Her short stories appeared in The Southern Review, Atlantic Monthly, Harper’s Bazaar, The New Yorker, and other magazines. She lectured at a number of colleges, held the William Allan Neilson professorship at Smith and the Lucy Donnelly Fellowship at Bryn Mawr, and was a lecturer at the Conference of American Studies at Cambridge University. She worked under grants from the Rockefeller and Merrill foundations and the National Institute of Arts and Letters, and held a Guggenheim Fellow-ship. She was given honorary degrees from Smith, the University of Wisconsin, Western College for Women, Denison University, the University of the South at Sewanee, and Millsaps College in Jackson. She also received the M. Carey Thomas Award from Bryn Mawr, the Brandeis Medal of Achievement, and the Hollins Medal; her novel The Ponder Heart was awarded the Howells Medal for Fiction by the American Academy of Arts and Letters. Eudora Welty died in 2001.