Reseña del editor:
Hal is a mild-mannered IRS bureaucrat who suspects that his wife is cheating with her younger, more virile coworker. At a drunken dinner party, Hal volunteers to fly to Belize in search of Susan's employer, T. the protagonist of Lydia Millet's much-lauded novel How the Dead Dream who has vanished in a tropical jungle, initiating a darkly humorous descent into strange and unpredictable terrain. Salon raved that Millet's "writing is always flawlessly beautiful, reaching for an experience that precedes language itself." In Ghost Lights, she combines her characteristic wit and a sharp eye for the weirdness that governs human (and nonhuman) interactions. With the scathing satire and tender honesty of Sam Lipsyte and a dark, quirky, absurdist style reminiscent of Joy Williams, Millet has created a comic, startling, and surprisingly philosophical story about idealism and disillusionment, home and not home, and the singular, heartbreaking devotion of parenthood."
Críticas:
At her best [Millet] exhibits the sweep and Pop-Art lyricism of Don DeLillo, the satiric acerbity of Kurt Vonnegut, the everyday-cum-surrealism harmonics of Haruki Murakami, and the muted-moral outrage of Joy Williams Strange, alternately quirky, and profound Millet is operating at a high level in Ghost Lights, and the book provides a fascinating glimpse of what can happen if the self s rhythms and certainties are shaken. We should be grateful that such an interesting writer has turned her attention to this rich, terrifying subject. --Josh Emmons"
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