"Sinopsis" puede pertenecer a otra edición de este libro.
"It's not often you come across writing that resounds with the undeniable sense that a writer's life hangs in the balance." --Sam Shepard, Vanity Fair
"Unmistakably one of the best writers we have in that self-discovering tendency in contemporary writing we have chosen to call post-modernism. His plays and novels have steadily and splendidly put to the test many of our essential presumptions about the nature of reality and art." --Malcolm Bradbury, The New York Times Book Review
Kaspar, Peter Handke's first full-length drama--hailed in Europe as "the play of the decade" and compared in importance to Waiting for Godot--is the story of an autistic adolescent who finds himself at a complete existential loss on the stage, with but a single sentence to call his own. Drilled by prompters who use terrifyingly funny logical and alogical language-sequences, Kaspar learns to speak "normally" and eventually becomes creative--"doing his own thing" with words; for this he is destroyed.
In Offending the Audience and Self-Accusation, one-character "speak-ins," Handke further explores the relationship between public performance and personal identity, forcing us to reconsider our sense of who we are and what we know.
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