Ways of Curating - Tapa dura

Praise for Hans Ulrich Obrist

"One of the most colourful figures in the artworld today . . . Not so much a curator as a human whirlwind." --Charlotte Higgins, "The Guardian"

Praise for "Ways of Curating""" "An engaging and erudite work that argues persuasively for the continued relevance of curating for the arts and wider society." --Ekow Eshun, "The Guardian" Praise for Hans Ulrich Obrist

"One of the most colourful figures in the artworld today . . . Not so much a curator as a human whirlwind." --Charlotte Higgins, "The Guardian"

Praise for "Ways of Curating""" A "Publisher's Weekly" Top 10 Art, Architecture & Photography pick for Fall 2014 "An engaging and erudite work that argues persuasively for the continued relevance of curating for the arts and wider society. His book is about the curator's role as a maker of exhibitions, a task that involves tracing hidden connections between artworks and forging untrammelled routes across culture in search of new ways of experiencing art; new ways of looking at the world around us. If that sounds like an impossibly romantic definition it's because this is an unapologetically personal account of the profession's development." --Ekow Eshun, "The Independent""Brisk, eclectic . . . In recent decades, the art world has been somewhat tediously obsessed with this 'curatorial turn' and its apparent undermining of artists and critics alike. But Obrist is a good example of the expanded possibilities of the job, and the sheer energy he has brought to working with artists themselves is the abiding impression of "Ways of Curating"." --Brian Dillon, "Literary Review""This is a highly intelligent, thoughtful and thought-provoking book. Obrist emerges as both scholarly and energetically engaged with the proliferation of ideas in modern culture today." --Carl Wilkinson, "Financial Times"Praise for Hans Ulrich Obrist

"One of the most colourful figures in the artworld today . . . Not so much a curator as a human whirlwind." --Charlotte Higgins, "The Guardian"

Praise for "Ways of Curating" ""Ways of Curating "is a unique and insightful guide which enables the reader to discover unexplored paths for a new curatorial approach." --Marina Abramović
"Hans Ulrich Obrist is a passionate communicator. In result, half the world is starting to live in the future now." --Yoko Ono A "Publisher's Weekly" Top 10 Art, Architecture & Photography pick for Fall 2014 "Obrist educates and delights, with the simple goal of sharing his life's joy." --"Publishers Weekly""" "A succinct, personal perspective on the intellectual sources and enthusiams of a distinguished figure in the contemporary art world." --"Kirkus""" "An engaging and erudite work that argues persuasively for the continued relevance of curating for the arts and wider society. His book is about the curator's role as a maker of exhibitions, a task that involves tracing hidden connections between artworks and forging untrammelled routes across culture in search of new ways of experiencing art; new ways of looking at the world around us. If that sounds like an impossibly romantic definition it's because this is an unapologetically personal account of the profession's development." --Ekow Eshun, "The Independent""Brisk, eclectic . . . In recent decades, the art world has been somewhat tediously obsessed with this 'curatorial turn' and its apparent undermining of artists and critics alike. But Obrist is a good example of the expanded possibilities of the job, and the sheer energy he has brought to working with artists themselves is the abiding impression of "Ways of Curating."" --Brian Dillon, "Literary Review""This is a highly intelligent, thoughtful and thought-provoking book. Obrist emerges as both scholarly and energetically engaged with the proliferation of ideas in modern culture today." --Carl Wilkinson, "Financial Times"Praise for Hans Ulrich Obrist
"One of the most colourful figures in the artworld today . . . Not so much a curator as a human whirlwind." --Charlotte Higgins, "The Guardian"

""Ways of Curating "is a unique and insightful guide which enables the reader to discover unexplored paths for a new curatorial approach." --Marina Abramović
"Hans Ulrich Obrist is a passionate communicator. In result, half the world is starting to live in the future now." --Yoko Ono "Obrist educates and delights, with the simple goal of sharing his life's joy." --"Publishers Weekly""" "A succinct, personal perspective on the intellectual sources and enthusiams of a distinguished figure in the contemporary art world." --"Kirkus""" "An engaging and erudite work that argues persuasively for the continued relevance of curating for the arts and wider society. His book is about the curator's role as a maker of exhibitions, a task that involves tracing hidden connections between artworks and forging untrammelled routes across culture in search of new ways of experiencing art; new ways of looking at the world around us. If that sounds like an impossibly romantic definition it's because this is an unapologetically personal account of the profession's development." --Ekow Eshun, "The Independent""Brisk, eclectic . . . In recent decades, the art world has been somewhat tediously obsessed with this 'curatorial turn' and its apparent undermining of artists and critics alike. But Obrist is a good example of the expanded possibilities of the job, and the sheer energy he has brought to working with artists themselves is the abiding impression of "Ways of Curating."" --Brian Dillon, "Literary Review""This is a highly intelligent, thoughtful and thought-provoking book. Obrist emerges as both scholarly and energetically engaged with the proliferation of ideas in modern culture today." --Carl Wilkinson, "Financial Times"Praise for Hans Ulrich Obrist
"One of the most colourful figures in the artworld today . . . Not so much a curator as a human whirlwind." --Charlotte Higgins, "The Guardian"

Praise for Hans Ulrich Obrist

"Ways of Curating "is a unique and insightful guide which enables the reader to discover unexplored paths for a new curatorial approach. "Marina Abramovic"

Hans Ulrich Obrist is a passionate communicator. In result, half the world is starting to live in the future now. "Yoko Ono"

Obrist educates and delights, with the simple goal of sharing his life's joy. "Publishers Weekly"

A succinct, personal perspective on the intellectual sources and enthusiams of a distinguished figure in the contemporary art world. "Kirkus"

An engaging and erudite work that argues persuasively for the continued relevance of curating for the arts and wider society. His book is about the curator's role as a maker of exhibitions, a task that involves tracing hidden connections between artworks and forging untrammelled routes across culture in search of new ways of experiencing art; new ways of looking at the world around us. If that sounds like an impossibly romantic definition it's because this is an unapologetically personal account of the profession's development. "Ekow Eshun, The Independent"

Brisk, eclectic . . . In recent decades, the art world has been somewhat tediously obsessed with this curatorial turn' and its apparent undermining of artists and critics alike. But Obrist is a good example of the expanded possibilities of the job, and the sheer energy he has brought to working with artists themselves is the abiding impression of "Ways of Curating." "Brian Dillon, Literary Review"

This is a highly intelligent, thoughtful and thought-provoking book. Obrist emerges as both scholarly and energetically engaged with the proliferation of ideas in modern culture today. "Carl Wilkinson, Financial Times""

Ways of Curating is a unique and insightful guide which enables the reader to discover unexplored paths for a new curatorial approach. Marina Abramovic

Hans Ulrich Obrist is a passionate communicator. In result, half the world is starting to live in the future now. Yoko Ono

Obrist educates and delights, with the simple goal of sharing his life's joy. Publishers Weekly

A succinct, personal perspective on the intellectual sources and enthusiams of a distinguished figure in the contemporary art world. Kirkus

An engaging and erudite work that argues persuasively for the continued relevance of curating for the arts and wider society. His book is about the curator's role as a maker of exhibitions, a task that involves tracing hidden connections between artworks and forging untrammelled routes across culture in search of new ways of experiencing art; new ways of looking at the world around us. If that sounds like an impossibly romantic definition it's because this is an unapologetically personal account of the profession's development. Ekow Eshun, The Independent

Brisk, eclectic . . . In recent decades, the art world has been somewhat tediously obsessed with this curatorial turn' and its apparent undermining of artists and critics alike. But Obrist is a good example of the expanded possibilities of the job, and the sheer energy he has brought to working with artists themselves is the abiding impression of Ways of Curating. Brian Dillon, Literary Review

This is a highly intelligent, thoughtful and thought-provoking book. Obrist emerges as both scholarly and energetically engaged with the proliferation of ideas in modern culture today. Carl Wilkinson, Financial Times

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