Mardi : and a voyage thither (1849). By: Herman Melville (volume 1): (Original Version) Mardi, and a Voyage Thither is the third book by American ... its turn gives way to a philosophical quest. - Tapa blanda

Mardi, and a Voyage Thither is the third book by American writer Herman Melville, first published in London in 1849. Beginning as a travelogue in the vein of the author's two previous efforts, the adventure story gives way to a romance story, which in its turn gives way to a philosophical quest.Mardi is Melville's first pure fiction work (while featuring fictional narrators; his previous novels were heavily autobiographical). It details (much like Typee and Omoo) the travelings of an American sailor who abandons his whaling vessel to explore the South Pacific. Unlike the first two, however, Mardi is highly philosophical and said to be the first work to show Melville's true potential. The tale begins as a simple narrative, but quickly focuses upon discourse between the main characters and their interactions with the different symbolic countries they encounter. While not as cohesive or lengthy as Moby-Dick, it shares a similar writing style as well as many of the same themes.As a preface to Mardi, Melville wrote somewhat ironically that his first two books were nonfiction but disbelieved; by the same pattern he hoped the fiction book would be accepted as fact.... Herman Melville (August 1, 1819 – September 28, 1891) was an American novelist, short story writer, and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life, and his whaling novel Moby-Dick (1851). His work was almost forgotten during his last thirty years. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. He developed a complex, baroque style: the vocabulary is rich and original, a strong sense of rhythm infuses the elaborate sentences, the imagery is often mystical or ironic, and the abundance of allusion extends to Scripture, myth, philosophy, literature, and the visual arts. Born in New York City as the third child of a merchant in French dry goods, Melville's formal education ended abruptly after his father died in 1832, leaving the family in financial straits. Melville briefly became a schoolteacher before he took to sea in 1839 as a common sailor on a merchant ship. In 1840 he signed aboard the whaler Acushnet for his first whaling voyage, but jumped ship in the Marquesas Islands. After further adventures, he returned to Boston in 1844. His first book, Typee (1845), a highly romanticized account of his life among Polynesians, became such a best-seller that he worked up a sequel, Omoo (1847). These successes encouraged him to marry Elizabeth Shaw, of a prominent Boston family, but were hard to sustain. His first novel not based on his own experiences, Mardi (1849), is a sea narrative that develops into a philosophical allegory, but was not well received. Redburn (1849), a story of life on a merchant ship, and his 1850 expose of harsh life aboard a Man-of-War, White-Jacket yielded warmer reviews but not financial security. In August 1850, Melville moved his growing family to Arrowhead, a farm near Pittsfield, Massachusetts, where he established a profound but short-lived friendship with Nathaniel Hawthorne, to whom he dedicated Moby-Dick. Moby-Dick was another commercial failure, published to mixed reviews. Melville's career as a popular author effectively ended with the cool reception of Pierre (1852), in part a satirical portrait of the literary scene. His Revolutionary War novel Israel Potter appeared in 1855. From 1853 to 1856, Melville published short fiction in magazines, most notably "Bartleby, the Scrivener" (1853), "The Encantadas" (1854), and "Benito Cereno" (1855). ....