The Golden House: Salman Rushdie - Tapa blanda

"It’s one of the most vivid and convincing portraits of contemporary America I’ve read." (Alex Preston Observer, Book of the Year)

"[A] complex and witty fable ... Rushdie has always been an impish myth-manipulator, refusing to accept, as in this novel, that the lives of the emperors can’t be blended with film noir, popular culture and crime caper. On the evidence of The Golden House, he is quite right." (Alex Clark Observer)

"Unruly but exuberant... Much of the success of The Golden House, in fact, lies in its humour and in the vigour of its storytelling... There is a glowing energy to the prose that makes this Rushdie’s most enjoyable, mischievous and American of novels." (Arifa Akbar Financial Times)

"Intelligent and darkly funny...with a raw political edge." (Robert Douglas-Fairhurst The Times)

"Rushdie writes with a Dickensian exuberance, always full of humour as well as striking scornful, tragic notes. Often he plays the role of satirist. His caricatures and outsize figures are full of life, wickedness and human energy: again, as in Dickens, grounded in a precise social and political scene." (Jereme Boyd Maunsell Evening Standard)

When powerful real-estate tycoon Nero Golden immigrates to the States under mysterious circumstances, he and his three adult children assume new identities and reinvent themselves as Roman emperors living in a lavish house in downtown Manhattan. Arriving shortly after the inauguration of Barack Obama, he and his sons, each extraordinary in his own right, quickly establish themselves at the apex of New York society.

The story of the powerful Golden family is told from the point of view of their Manhattanite neighbour and confidant, René, an aspiring filmmaker who finds in the Goldens the perfect subject. René chronicles the undoing of the house of Golden: the high life of money, of art and fashion, a sibling quarrel, an unexpected metamorphosis, the arrival of a beautiful woman, betrayal and murder, and far away, in their abandoned homeland, some decent intelligence work.

Invoking literature, pop culture, and the cinema, Rushdie spins the story of the American zeitgeist over the last eight years, hitting every beat: the rise of the birther movement, the Tea Party, gamergate and identity politics; the backlash against political correctness; the ascendency of the superhero movie, and, of course, the insurgence of a ruthlessly ambitious, narcissistic, media-savvy villain wearing make-up and with coloured hair.

In The Golden House, as entertaining as it is poignant, Rushdie has written a revelatory panorama of our time.