Gordon Parks: The New Tide: Early Work 1940–1950 - Tapa dura

A new exhibition and a companion catalogue, published by Steidl, looks at ten formative years in Parks's career that laid the foundation for his creative output in social documentary, fashion photography, fiction and memoir.--PDN

A new book examines Gordon Parks's transformation over the formative decade before his time as the first black staff photographer at Life magazine.--James Estrin "New York Times "

[Gordon Parks: The New Tide] looks back at the groundbreaking first decade of his career, during which he rose to become the first African-American photographer at LIFE magazine.--Miss Rosen "AnOther Magazine "

Charts the evolution and social conscience formed in the breakthrough early years of Gordon Parks's seven-decade career.--Globe and Mail

Gordon Parks -- perhaps more than any artist -- saw poverty as "the most savage of all human afflictions" and realized the power of empathy to help us understand it.--Maurice Berger "New York Times "

The catalog is as accomplished for the photographs it reprints as it is for its many fine essays on Parks, including those by Maurice Berger, Sarah Lewis, Deborah Willis and Philip Brookman, which contextualize Parks with the writers who mattered to him, Langston Hughes and Richard Wright among them.--Teju Cole "New York Times Magazine "

The early work of ground-breaking photojournalist Gordon Parks.--Guardian

Focusing on new research and access to forgotten pictures, The New Tide, Early Work 1940–1950 documents the importance of these years in shaping Gordon Parks’ passionate vision. The book brings together photographs and publications made during the fi rst and most formative decade of his 65-year career.

During the 1940s Parks’ photographic ambitions grew to express a profound understanding of his social, cultural and political experiences. From the fi rst photographs he published in Saint Paul, Minnesota, and his relationship to the Chicago Black Renaissance, to his mentorship with Roy Stryker and his breakthrough work for America’s infl uential picture magazines―including Ebony and Life ―this book traces Parks’ rapid evolution from an accomplished, self-taught practitioner to a groundbreaking artistic and journalistic voice.

We are with the new tide. We stand at the crossroads. We watch each new procession. The hot wires carry urgent appeals. Print compels us. Voices are speaking. Men are moving! And we shall be with them... Richard Wright, 12 Million Black Voices: A Folk History of the Negro in the United States , 1941